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	<title>Comments on: Michael Jacobson</title>
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	<link>http://fullofcrow.com/prate/2009/08/michael-jacobson/</link>
	<description>Full of Crow Interview Series</description>
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		<title>By: Kabza</title>
		<link>http://fullofcrow.com/prate/2009/08/michael-jacobson/comment-page-1/#comment-24</link>
		<dc:creator>Kabza</dc:creator>
		<pubDate>Thu, 13 Aug 2009 01:54:19 +0000</pubDate>
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		<description>there is border worker in the seventies, sophie podolski, who shows up in TRANSEDITION publications, editor: mark dachy, title LUNA PARC. somewhat asemic and often not, always of interest.</description>
		<content:encoded><![CDATA[<p>there is border worker in the seventies, sophie podolski, who shows up in TRANSEDITION publications, editor: mark dachy, title LUNA PARC. somewhat asemic and often not, always of interest.</p>
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		<title>By: Stephen Vincent</title>
		<link>http://fullofcrow.com/prate/2009/08/michael-jacobson/comment-page-1/#comment-21</link>
		<dc:creator>Stephen Vincent</dc:creator>
		<pubDate>Tue, 11 Aug 2009 01:48:26 +0000</pubDate>
		<guid isPermaLink="false">http://fullofcrow.com/prate/?p=66#comment-21</guid>
		<description>Real intriguing, thanks. I been doing drawubg work I call &quot;haptics&quot; - I feel uncomfortable put the work entirely into an &quot;asemic&quot; vessel - that is &#039;a poetry without words&#039; but, at times I think the work is close to that, and then maybe closer to music. In fact, I like the sense that the haptics get entwined with photographs, language pieces, etc. The different mediums speak to each other, bounce off each other, etc. It is easy to take a look at this work on my blog various over the last couple of years</description>
		<content:encoded><![CDATA[<p>Real intriguing, thanks. I been doing drawubg work I call &#8220;haptics&#8221; &#8211; I feel uncomfortable put the work entirely into an &#8220;asemic&#8221; vessel &#8211; that is &#8216;a poetry without words&#8217; but, at times I think the work is close to that, and then maybe closer to music. In fact, I like the sense that the haptics get entwined with photographs, language pieces, etc. The different mediums speak to each other, bounce off each other, etc. It is easy to take a look at this work on my blog various over the last couple of years</p>
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		<title>By: Tony Green</title>
		<link>http://fullofcrow.com/prate/2009/08/michael-jacobson/comment-page-1/#comment-20</link>
		<dc:creator>Tony Green</dc:creator>
		<pubDate>Mon, 10 Aug 2009 22:10:06 +0000</pubDate>
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		<description>good to see your views coming thru well in interview</description>
		<content:encoded><![CDATA[<p>good to see your views coming thru well in interview</p>
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		<title>By: Morgan Taubert</title>
		<link>http://fullofcrow.com/prate/2009/08/michael-jacobson/comment-page-1/#comment-12</link>
		<dc:creator>Morgan Taubert</dc:creator>
		<pubDate>Sat, 08 Aug 2009 05:59:55 +0000</pubDate>
		<guid isPermaLink="false">http://fullofcrow.com/prate/?p=66#comment-12</guid>
		<description>Thank you Michael, you are an articulate voice for this movement we are all caught up in.  it is always tricky writing legible statements about illegible writing.</description>
		<content:encoded><![CDATA[<p>Thank you Michael, you are an articulate voice for this movement we are all caught up in.  it is always tricky writing legible statements about illegible writing.</p>
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		<title>By: rosaire appel</title>
		<link>http://fullofcrow.com/prate/2009/08/michael-jacobson/comment-page-1/#comment-11</link>
		<dc:creator>rosaire appel</dc:creator>
		<pubDate>Fri, 07 Aug 2009 18:56:22 +0000</pubDate>
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		<description>enjoyed the interview &amp; it&#039;s nice to have ASEMIC clearly articulated again.  if the reader of an asemic work determines the meaning, is anything actually communicated, can a reader actually read beyond his/her own reading?</description>
		<content:encoded><![CDATA[<p>enjoyed the interview &amp; it&#8217;s nice to have ASEMIC clearly articulated again.  if the reader of an asemic work determines the meaning, is anything actually communicated, can a reader actually read beyond his/her own reading?</p>
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		<title>By: Sheila Murphy</title>
		<link>http://fullofcrow.com/prate/2009/08/michael-jacobson/comment-page-1/#comment-10</link>
		<dc:creator>Sheila Murphy</dc:creator>
		<pubDate>Fri, 07 Aug 2009 17:32:59 +0000</pubDate>
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		<description>Insightful, intriguing interview. Thank you for it. I am reminded of below-the-surface writing, based upon your comments about textures. It seems that the concept of layering challenges outermost surfaces to a duel of sorts!</description>
		<content:encoded><![CDATA[<p>Insightful, intriguing interview. Thank you for it. I am reminded of below-the-surface writing, based upon your comments about textures. It seems that the concept of layering challenges outermost surfaces to a duel of sorts!</p>
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		<title>By: Becky</title>
		<link>http://fullofcrow.com/prate/2009/08/michael-jacobson/comment-page-1/#comment-9</link>
		<dc:creator>Becky</dc:creator>
		<pubDate>Fri, 07 Aug 2009 16:19:30 +0000</pubDate>
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		<description>This will sound like the zealoutry of a new convert , but it&#039;s true:  viewing and practicing asemic writing is impacting my own writing (both asemic and non-) in a profound way.

At a time when a lot of popular art and lit strike one as trendy, and repetitive, the mysteries and moods conveyed by asemic writing generate a fresh excitement.  And the &quot;is it art/is it writing&quot; discussion hones the edge.

Keep up the good work, Michael!  And Tim!</description>
		<content:encoded><![CDATA[<p>This will sound like the zealoutry of a new convert , but it&#8217;s true:  viewing and practicing asemic writing is impacting my own writing (both asemic and non-) in a profound way.</p>
<p>At a time when a lot of popular art and lit strike one as trendy, and repetitive, the mysteries and moods conveyed by asemic writing generate a fresh excitement.  And the &#8220;is it art/is it writing&#8221; discussion hones the edge.</p>
<p>Keep up the good work, Michael!  And Tim!</p>
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